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| Sl. No. | Item Description |
| 1 | Content WritingThe creative writing scope involves the development of narrative content through a structured yet flexible process. It begins with research—supported by books, references, and site visits—and moves through data collection, selection, and consultation with a panel of relevant authorities. The aim is to ensure cultural relevance, thematic consistency, and creative integrity. A team of experienced writers, including those with a background in show and screenplay writing, will lead the storytelling process. The primary writer must have substantial experience—preferably over 15 years— and good credentials in show writing, with a proven ability to handle complex, multimedia-driven narratives. The story evolves into script and screenplay formats, including a technical timeline version to align with visual and sound elements. If musical components are included, lyrics will be written by a professional lyricist with experience in both films and live performances. Dialogue writing, idea translation, and screenplay adaptation into other languages are also part of the scope, overseen by a dedicated language supervisor to ensure linguistic clarity and cultural sensitivity. While certain elements may adapt during the creative cycle, the process will remain focused on delivering a cohesive, original, and production-ready script. The show will be bilingual.The job consists of - Data Collection, Data Selection, Authority team, Creating Ideas, Story writing, Script Draft, Screenplay, Lyric writing, Dialogue writing, Technical timeline Screenplay, Translating ideas, Translating Screenplay, Language Supervison |
| 2 | DubbingThe audio production scope includes all processes related to voice recording, dubbing, and language adaptation as required for the project. The process begins with planning and coordination under the supervision of a Creative Director, in consultation with the script and language teams. Dubbing forms the core of the audio workflow. This includes recording of voiceovers and dialogues by both celebrity artists and junior artists, as per casting decisions. Talent coordination, scheduling, and handling of logistics fall under the purview of the Artist Management team, which ensures seamless execution across sessions. All voice recordings will be carried out at a professional audio studio, equipped to handle multichannel dubbing and real-time monitoring. Sessions are overseen by an experienced Dubbing Director, responsible for voice performance quality, tone accuracy, and delivery consistency across versions. Throughout the dubbing phase, a language supervisor ensures linguistic correctness, pronunciation alignment, and translation fidelity—particularly in multilingual productions. Supporting staff, including a designated assistant, will aid in session coordination, script handling, and communication between departments. This is a bilingual project. While the structure of the recording process is generally predefined, flexibility may be exercised based on artist availability, script revisions, or project-specific creative needs. |
| 3 | The background music The background music production covers the complete creation of an original score to support the overall mood and narrative of the show. The process is led by a Music Director, assisted by a dedicated assistant, and involves contributions from a Music Arranger and music programmers who develop the structure, orchestration, and digital elements of the composition. Live elements are performed by instrument players and chorus singers, as required by the arrangement. To enhance realism and support on-screen action, foley artists are engaged for the creation of natural, synchronized effects. All music components are recorded in a professional audio recording studio, with the final mix executed in a 7.2 surround sound mixing studio to ensure high-quality, immersive output. While the structure is generally predefined, certain creative decisions may adapt during the process to meet evolving artistic and technical needs. |
| 4 | Creating songs- The music production scope for songs includes composition, arrangement, recording, and mixing of original tracks suited to the narrative and emotional context of the project. The process is led by a Music Director, responsible for the overall musical vision, supported by an assistant who coordinates sessions and logistics.A Music Arranger refines the musical structure, harmonies, and instrumentation, while music programmers handle sequencing, layering, and digital sound elements. Instrument players contribute live performances to add depth and authenticity to the arrangement. The vocal component features celebrity singers, selected for their voice quality and public resonance, supported by chorus singers where needed for harmony or scale.All vocal and instrumental recordings are conducted in a professional audio recording studio, equipped for multi-track sessions. The final output is processed and balanced in a 7.2 surround sound mixing studio, ensuring spatial clarity and production-grade sound. Adjustments may be made during the creative process to accommodate performance styles, technical feedback, or evolving project direction. |
| 5 | Audio MixingThe final audio mixing phase ensures the integration and balance of all sound elements—dialogue, music, effects—into a polished, immersive audio output. The process is creatively led by a Creative Director, who provides the overall aesthetic and emotional direction for the final sound. A designated assistant coordinates schedules, handles version tracking, and supports communication between departments to maintain workflow efficiency. The mixing is executed in a professional 7.2 surround sound studio, equipped for spatial sound design and high-fidelity output suitable for large-format or immersive playback environments. It is a bilingual Production A Technical Supervisor oversees the process, ensuring all specifications related to format, levels, and playback compatibility are met, while also maintaining quality control across multiple output versions.Final adjustments may vary depending on the nature of the content and platform-specific requirements. |
| 6 | Scope for Bilingual -The scope includes complete audio localization of the project into a second language, covering dubbing, background music, and song music production. The process begins with dubbing, involving voice recordings by native-speaking celebrity and junior artists, directed by an experienced Dubbing Director under the creative guidance of the Creative Director. Sessions are conducted in a professional audio studio, with oversight from a Language Supervisor to ensure linguistic accuracy and cultural relevance.The background music is either adapted or recreated to suit the tonal needs of the second language version. This includes re-arrangement, possible re-recording by instrument players, and adjustments led by the Music Director with support from arrangers and programmers. Where applicable, song music production is carried out in the second language, featuring celebrity singers and chorus artists, ensuring lyrical integrity and emotional alignment. Lyrics are adapted and approved by the language and creative teams to retain the original intent while fitting the new language\"s phonetic and rhythmic structure. All elements—dialogue, music, and effects—are finally mixed in a 7.2 surround sound studio under the supervision of a Technical Supervisor, ensuring cohesion and broadcast-ready quality. Some creative or technical modifications may be made based on language-specific needs or audience expectations. |
| 7 | Indoor ShootingThe indoor studio shoot covers all aspects of video production carried out within a controlled studio environment, under the overall vision of the Creative Director. The shoot is planned and executed with the support of a technical supervisor, assistant, and a full production team, ensuring that both creative and logistical aspects are effectively managed.The cast includes celebrity artists and junior artists, whose schedules and coordination are handled by the artist management team. Performance delivery is supported with tools such as a teleprompter and direction provided on set. The production takes place in a professional video studio using high-grade camera equipment, with visuals led by a skilled Director of Photography (DOP). The setup includes a full lighting rig, supplemented by a generator for uninterrupted power supply. For shoots requiring virtual backgrounds or visual integration, chroma key technology is used. Supporting elements include on-location sound setup, makeup, costumes, and props, all arranged to maintain visual consistency with the creative concept. The location and studio logistics are prepared in advance, ensuring readiness for smooth execution. While most elements follow a predefined structure, flexibility is maintained for creative changes, technical adjustments, or talent-related considerations during the shoot. |
| 8 | Outdoor ShootingThe outdoor location shoot involves the execution of video production in open, uncontrolled environments, led creatively by a Creative Director and technically coordinated by a Technical Supervisor with support from an Assistant and a full Production Team. This setup ensures both the creative vision and the operational logistics are effectively managed on site.Camera equipment and on-location filming are handled by an experienced Director of Photography (DOP), supported by a custom lighting setup and reliable power supply through generators. The presence of junior artists, along with complete makeup, costumes, and props, helps bring the narrative elements to life during the shoot. To capture wide and aerial perspectives, a drone camera is operated by a trained drone operator, enabling cinematic coverage of the location. On-site sound setup ensures proper dialogue and ambient recording despite outdoor challenges. Comprehensive logistical support is included, covering crew transport, food, and accommodation, ensuring the team\"s comfort and efficiency during extended schedules. Outdoor management costs account for location permissions, crowd control, weather-related support, and other unforeseen field requirements. While the shoot is planned in detail, flexibility is maintained to adapt to on-site conditions, natural light changes, or last-minute creative directions. |
| 9 | Editing The editing phase involves assembling, refining, and finalizing the visual and audio content using professional software platforms such as FCP or Premiere. The process is led by a skilled Editor, working under the creative guidance of the Creative Director, and supported by an Assistant for logistical and coordination tasks. A Technical Supervisor ensures compatibility across formats and monitors workflow consistency. The edit includes detailed color correction and DI (Digital Intermediate) processing to ensure visual consistency, mood enhancement, and output readiness for multiple formats.Simultaneously, sound matching is carried out to align the audio precisely with visual elements, ensuring a seamless viewing experience. While the process follows an established structure, creative and technical adjustments may be made during post-production based on evolving requirement. |
| 10 | The concept development The concept development stage lays the foundation for the animation project by defining the core theme, narrative, or message to be communicated through the visual content. This includes interpreting the show\"s objective and aligning it with the desired emotional, cultural, or historical tone.A clear understanding of the event\"s context—its purpose, audience, location, and scale—is essential at this stage. This helps shape the visual language, pacing, and symbolic elements of the animation. In parallel, the creative team gathers necessary architectural references, including blueprints, elevations, or high-resolution photographs of the projection surface—such as a building façade, monument, or custom structure. These assets are critical for mapping visual content accurately and ensuring that the animation interacts naturally with the physical form of the structure. This stage may involve creative exploration, mood boarding, and draft scripting, with room for refinement based on client input or site-specific constraints. |
| 11 | The projection surface analysisThe projection surface analysis phase focuses on the detailed study of the building or structure intended for projection. This includes analyzing its dimensions, contours, architectural features, and physical obstacles such as balconies, columns, or surface irregularities that may impact visual output.Based on this analysis, the team develops a precise 3D model or high-fidelity mock-up of the actual building or façade. This model serves as the reference framework for animation alignment, ensuring that visuals map seamlessly onto the surface and interact accurately with its physical geometry. This step is essential for delivering a high-impact, distortion-free projection experience. |
| 12 | The Storyboard & Visual ScriptingThe Storyboard & Visual Scripting phase involves planning the sequence of visuals, defining key scenes, transitions, and impactful moments that shape the overall flow of the animation. This step establishes the visual rhythm and narrative structure of the show. A detailed visual script is developed alongside the storyboard, mapping out how each visual element aligns with music, voiceover, or narration, if applicable. This ensures creative cohesion between the audio and visual components, serving as a blueprint for the animation and production teams during the execution phase.The Asset Creation phase The Asset Creation phase focuses on designing and developing all visual elements required for the animation. This includes creating characters, environments, and props using industry-standard 3D software such as Blender, Maya, or Cinema 4D, depending on project needs. In addition to modeling, the team creates or sources textures, lighting references, and visual effects that enhance the realism or stylistic tone of the animation. These assets form the visual foundation of the project and are tailored to suit the projection surface, storytelling requirements, and overall design direction.The 3D Animation & SimulationThe 3D Animation & Simulation phase involves animating visual elements in precise synchronization with the storyboard and audio, including music, narration, or sound design. This ensures that the visuals follow the intended rhythm and narrative structure. The process includes the addition of dynamic visual effects such as explosions, transformations, morphing, and architectural illusions to enhance the visual experience and create dramatic impact. To complement the content and surface geometry, camera movements and spatial transitions are simulated within the 3D environment, ensuring smooth visual flow and accurate alignment with the unique structure of the projection facade. |
| 13 | The RenderingThe Rendering phase involves generating the final animated output in high resolution (typically 4K or higher) to meet the technical requirements of the projection system. This step ensures that all visual elements are produced with maximum clarity and detail.Special attention is given to color accuracy, brightness, and contrast levels, The Audio Synchronization The Audio Synchronization phase involves the mixing of background music, voiceovers, and sound effects (SFX) into a cohesive audio track. This mix is carefully aligned with the visual timeline to ensure seamless integration.Key sound cues are timed precisely with visual events to enhance dramatic impact and emotional engagement. The synchronization process ensures that audio elements not only support but elevate the overall viewing experience.Calibration -The Projection Mapping & Calibration phase focuses on aligning the final animation with the architectural surface using specialized software such as MadMapper, Resolume Arena, or HeavyM. This step ensures that the visual content fits precisely to the building\"s structure and features.On-site testing is conducted using actual projectors to fine-tune the mapping. The Final Testing The Final Testing & Show Execution phase involves conducting full-scale tests of the complete animation and audio sequence under actual or simulated show conditions, typically at night to match final lighting environments. This ensures accurate visual impact and technical performance. During testing, the team performs final adjustments to fine-tune synchronization, alignment, and timing across projection, sound, and control systems. All critical elements—transitions, cues, and effects—are reviewed for precision.Comprehensive backup systems are prepared, and the triggering mechanism for the show is tested for seamless execution and reliability, ensuring a smooth and uninterrupted live experience. |
| 14 | Concept & Theme DevelopmentThis stage involves identifying the purpose of the show—such as entertainment, branding, or cultural celebration. It includes defining the narrative structure, key visual highlights, and emotional peaks. Visual elements will be carefully aligned with music, narration, or other media components to create a cohesive and engaging experience. |
| 15 | Site Analysis & Safety PlanningSite Analysis & Safety PlanningIncludes a detailed survey of the venue to assess dimensions, audience layout, and whether the space is indoor or outdoor. Identifies laser-safe zones and ensures compliance with relevant safety standards. Plans for environmental factors such as wind, dust, reflective surfaces, and addresses power supply and equipment placement needs.Storyboard & Laser DesignInvolves creating a detailed show flow with defined cues for anim+B27ations, effects, and transitions. Includes the design of laser scenes incorporating elements such as text, logos, line art, tunnels, waveforms, and abstract visuals to match the overall narrative and theme.Audio IntegrationInvolves selecting or composing a soundtrack that enhances the laser visuals. Visuals are precisely synchronized to musical beats and cues using timeline-based software to ensure a cohesive and impactful audiovisual experience. |
| 16 | Programming the Laser ShowUtilizes specialized software (e.g., Pangolin Beyond, Laser Show Designer, LSX) to design and animate laser graphics. Involves programming scene cues with precise timing, color modulation, and optimizing vector paths to reduce flicker and ensure clean, stable laser projections.Equipment SetupInvolves integration of the control system using a laptop, DMX interface, or timecode-based triggering setup to ensure reliable playback and synchronization of laser and show elements.Show ExecutionInvolves synchronizing the laser show with other elements such as music, lighting, and pyrotechnics. Cues are triggered manually or through automated systems using timecode or MIDI. Real-time monitoring is performed to ensure system performance and maintain audience safety. |
| 17 | Objective & Concept DevelopmentDefines the purpose of the lighting design—whether for concerts, architectural highlights, theatrical performances, or event ambiance. Focuses on understanding the emotional tone, thematic direction, and desired audience impact. A creative lighting concept is developed to support the narrative, brand identity, or spatial transformation goals.Venue Analysis & Technical SurveyInvolves assessing the venue\"s dimensions, architectural features, and ambient lighting conditions. Identifies available power sources, rigging points, and spatial limitations such as stage size and ceiling height. A 3D model or detailed layout is created or requested to aid in accurate previsualization and planning.Mood Board & Visual ReferencesCurates visual references for color schemes, lighting styles, fixture types, and integration with stage or set design. A mood board is developed to reflect the artistic direction and align with the client’s brief and creative vision.Lighting Plot & Fixture PlanningInvolves selecting suitable light fixtures such as washes, spots, beams, strobes, LED bars, and moving heads. Plans fixture positions and focus angles on a detailed lighting plot. Assigns control channels, fixture groups, and zoning to ensure efficient programming and operation. |
| 18 | Programming & Cue DesignUtilizes professional lighting control software (e.g., GrandMA, Chamsys, Avolites) to program show cues. Lighting sequences are synchronized with music, movement, or stage actions. Includes design of layered transitions such as dimming, color changes, fades, strobes, and dynamic fixture movements.Previsualization & RenderingSimulates the lighting design in 3D environments using tools such as Capture, WYSIWYG, or Depence². Provides rendered images or video previews to the client and production team for review, feedback, and approval prior to on-site setup.On-site Setup & RiggingInvolves coordination with the technical crew to install lighting fixtures, cabling, and rigging infrastructure. Includes focusing lights and adjusting beam angles, sizes, and positions. All units are tested for power, DMX signal integrity, and proper alignment.Rehearsals & Final ProgrammingConducts full run-throughs with live sound, performers, or projected content to validate timing and coordination. Adjusts cue timings, fade curves, and brightness levels based on actual venue conditions. Finalizes and programs the cue stack for show triggering via manual control, timecode, or live operation. |
| 19 | Show Planning & Cue BreakdownDefines all technical and creative elements involved in the show, including lighting, video projection, lasers, sound, pyrotechnics, and moving set pieces. Breaks the show into cue points based on timeline, music, or script structure. Timeline & Control System SelectionDetermines the central control method for the show—timecode-based, cue-stack driven, or a hybrid of manual and automated triggers. Selects appropriate software and hardware solutions (e.g., QLab, Timecode Buddy, Watchout, Medialon, Disguise, TouchDesigner, Hippotizer, MADRIX, Reaper). Defines communication protocols such as MIDI, DMX, OSC, TCP/IP, or Art-Net for seamless integration between devices.System Integration & Communication SetupEnsures all show systems—including lighting, video, audio, and mechanical elements—are networked and properly addressable. Sets up protocol routing, such as MIDI triggers for video playback or SMPTE timecode for synchronizing lighting and audio cues. Configures master/slave relationships to establish a reliable sync hierarchy, typically with audio as the master clock. |
| 20 | Programming Cue SequencesDevelops a detailed cue list within the control software, assigning precise timings and smooth transitions for each element. Triggers are programmed to execute specific actionsPrevisualization & TestingUses specialized software (e.g., Disguise for video, Capture for lighting, TouchDesigner for interactive elements) to s+B48imulate the full cue stack in a virtual environment. Enables fine-tuning of transitions, timing, and synchronization across systems before on-site setup, helping to identify and resolve potential issues in advance.Rehearsal & On-Site CalibrationConducts full rehearsals using actual show hardware including lighting rigs, projectors, audio systems, and stage mechanics. Fine-tunes cue timings, fade curves, and mechanical movements to match music or video beats. Tests all failsafes, aligns system triggers, and ensures timecode sources are synced with acceptable playback latency across all systems. |
| 21 | Digital signal processor - 12 x 8 Networked Digital Signal Processor with 12 inputs and 8 outputs or more; 12 ormore Control Inputs and 6 or more Logic Outputs for GPIO Integration; 48V phantom power on all analog inputs; THD: <0.01% 20Hz to 20KHz; Crosstalk: <-75dB orbetter; Open architecture software configurable; logic processing power; 2 digital audio bus RJ45 Port; 1Ethernet RJ45 port for Monitoring and configuration; Capable to handle +5V unloaded logic output voltage; Should have speech sense engine; Capable to control 3rd party devices with TCP IP and RS232; Should have 1nos of RS 232 port for integration with control System; Should have Bi-Directional Locate Functionality; Should have 48 or more digital audio Channel Bus; Should have monitoring LED for COM, STAT, ERR and PWR; etc.Approved Make: BSS / bi-amp / Symetrix |
| 22 | Wall Mount Controller - 8 Buttons Ethernet Controller and Volume Control, Should be Compatible with supplied DSP, Should support PoE (Power Over Ethernet), 8 Programmable Buttons (Multicolored), Capable to trigger any DSP logic, Multicolored 2 Programmable 64x128 Pixel LCDs, Sleep Function, Security: Remote Lock/Unlock and Local Unlock via PIN Entry, Should have knob and capable to control 8 zones separate.Approved Make: BSS / bi-amp / Symetrix |
| 23 | Wall mount arrayable speaker.High Power 3-Way Loudspeaker with 15\" LF; Frequency Response:(±3 dB): 45 Hz – 18 kHz, Frequency Range (-10dB):38Hz – 20KHz; Coverage Pattern: 90° x 50°, rotatable waveguide, Crossover Modes: Tri-amp/Bi-amp switchable, Transducer Power Rating :LF 4000 W peak , MF 1400 W peak ,HF 400 W peak, LF Driver : 15”; MF Driver : 8” ; HF Driver : 1.5”; Sensitivity LF : 97dB; Sensitivity MF: 108dB; Sensitivity HF: 115dB;Maximum SPL: LF:133 dB peak , MF/HF: 139 dB peak, ; Nominal Impedance: 8 ohms, Grille: Powder coated 14 gauge perforated steel, Enclosure: Trapezoidal with 15 degree side angles.Approved Make: JBL / L-acoustic / d&b audiotechnik |
| 24 | Weathrised SpeakerHigh Power 3-Way Loudspeaker with 15\" LF; Frequency Response:(±3 dB): 45 Hz – 18 kHz, Frequency Range (-10dB):38Hz – 20KHz; Coverage Pattern: 90° x 50°, rotatable waveguide, Crossover Modes: Tri-amp/Bi-amp switchable, Transducer Power Rating :LF 4000 W peak , MF 1400 W peak ,HF 400 W peak, LF Driver : 15”; MF Driver : 8” ; HF Driver : 1.5”; Sensitivity LF : 97dB; Sensitivity MF: 108dB; Sensitivity HF: 115dB;Maximum SPL: LF:133 dB peak , MF/HF: 139 dB peak, ; Nominal Impedance: 8 ohms, Grille: Powder coated 14 gauge perforated steel, Enclosure: Trapezoidal with 15 degree side angles.Approved Make: JBL / L-acoustic / d&b audiotechnik |
| 25 | Subwooferhighpower install grade Dual 18\" low frequency loudspeaker systemwith extended frequency range with mounting points for OEM hardware/ bracket. Frequency response: 20Hz to 1KHz (-10 dB) or better, Power rating: 2400W continuous or better; Sensitivity: 99dB or better; Maximum SPL: 135dB or better; Nominal Impedance: 4ohm in parallel and 2X8 ohm in driver mode; LF Driver 18\" or better; LFdriver with 4\" voice coil.Approved Make: JBL / L-acoustic / d&b audiotechnik |
| 26 | Digital Power AmplifierFour channel Digital Network Based Power Amplifier with Power output 4 x 2400W @ 4 Ohms / 8 Ohms; should support 70Vrms and 100Vrms output on all output channels; THD 0.35% or better; Should support Cooling Continuously variable speed forced air; Voltage Gain 34dB or more; Digital bus compatibility up to 8 or more audio channel; bridgeable channels - even in 100Vrms mode for 200Vrms Output; 2digital audio bus RJ45 port; 1 Ethernet R 45 port for monitoring and configuration;Should have DSP features incl. Limiters , Input/output EQ ,Delay ,Matrix Mixer ,Speaker Line Monitoring; Damping Factor (20 Hz to 100 Hz) : >5000 or more; etc.Approved make: Crown / RAM Audio / Labgrupen |
| 27 | Digital Power AmplifierMultichannel Digital Network Based Power Amplifier with Power output 4 x 1250W or better @ 4 Ohms / 8 Ohms; Should support 70Vrms and 100Vrms output on all output channels; THD 0.35% orbetter; Cooling Continuously variable speed forced air; Voltage Gain 34dB ormore; Digital bus compatibility up to 8 or more audio channel; bridgeable channels even in 100Vrms mode to operate with 200Vrms output; 2digital audio bus RJ 45 port; 1 Ethernet R 45 port for monitoring and configuration; Should have DSP features like Limiters , Input/output EQ , Delay ,Matrix Mixer ,Speaker Line Monitoring; Damping Factor (20Hz to 100Hz) : >1500 ormore; etc.Approved make: Crown / RAM Audio / Labgrupen |
| 28 | Digital Power AmplifierMultichannel Digital Network Based Power Amplifier with Power output 4 x 600W @ 4 Ohms / 8 Ohms or better; Should support 70Vrms and 100Vrms output on all four channels; Frequency Response: ±0.25dB or better; Total Harmonic Distortion: 0.35% or better; Voltage Gain: 34dB or better; Damping Factor(20Hz to100Hz): >1000 or better; Signal to Noise Ratio: >108dB or better; Cooling: Continuously variable speed forced air, front to back airflow; bridgeable channels even in 100Vrms mode to operate with 200Vrms output; 2digital audio bus RJ 45 port; 1 Ethernet R 45 port for monitoring and configuration; Should have DSP features like Limiters, Input/output EQ, Delay, Matrix Mixer, Speaker Line Monitoring.Approved make: Crown / RAM Audio / Labgrupen |
| 29 | Digital Power AmplifierMultichannel Digital Network Based Power Amplifier with Power output 8 x 300W @ 4 Ohms / 8 Ohms or better; Should support 70Vrms and 100Vrms output on all Eight channels; THD 0.35% or better; Damping Factor (20 Hz to 100 Hz): >1000 or better; Frequency Response: ±0.25dB or better; Signal to Noise Ratio: >108dB or better;Cooling: Continuously variable speed forced air, front to back airflow; Voltage Gain: 34dB or better; Audio Digital channel bus compatibility up to 8 channel, bridgeable channels - even in 100Vrms mode, 2 digital audio bus RJ 45 port, 1 Ethernet R 45 port for monitoring and configuration, Should have Limiters, Input/output EQ, Delay, Matrix Mixer, Speaker Line Monitoring.Approved make: Crown / RAM Audio / Labgrupen |
| 30 | Stage Monitors 1 x 12\" LF; 2-Way Stage Monitor Speaker System; Power Rating 300W at 8 Ohms; etc.Approved Make: JBL / L-acoustic / d&b audiotechnik |
| 31 | 2.5 sq mm multi stranded speaker cable |
| 32 | 1.5 sq mm copper multi strandedcable |
| 33 | 2 core shielded 23/36 cable |
| 34 | XLR connector |
| 35 | Speak on male and female connector |
| 36 | Jack Pins |
| 37 | RC Pins |
| 38 | EP pins |
| 39 | 18U audio RackBrand - RIVECO / Manufacturer - RIVECO / Model - OF5518 / Model Name - OF / Product Dimensions 55.12 x 50.04 x 90.17 cm; 12.25 kg / Item model number OF5518 / Compatible Devices - Server / Material- Alloy Steel / Manufacturer - RIVECO Item Weight- 12 kg 200 g |
| 40 | Analog Mixer – 10-channel mixing console with 4 mono mic/line inputs featuring D-PRE Class-A preamps, +48V phantom power, one-knob compressors, 3-band EQ, high-pass filters, and 3 stereo line inputs; integrated SPX digital multi-effects processor with 24 presets; built-in 24-bit/192kHz USB audio interface (2-in/2-out); balanced XLR and TRS main outputs, monitor out, FX send, and headphone output; rugged metal chassis (244 x 71 x 294 mm, approx. 2.1 kg); includes external PA-10 power supply. Suitable for professional live sound and studio recording applications.Approved Make - Yamaha, Mackie, Beheringer |
| 41 | Microphone (with cable) – Dynamic cardioid vocal microphone designed for professional live vocals and studio use, featuring a tailored frequency response of 50 Hz to 15 kHz for clear vocals and speech, uniform cardioid pickup pattern for excellent off-axis rejection, pneumatic shock mount system to reduce handling noise, built-in spherical wind and pop filter, rugged steel mesh grille, and durable metal construction; output impedance of 150 ohms, sensitivity of –54.5 dBV/Pa (1.85 mV), and XLR 3-pin connector.reliable, clarity, and stage durability.Approved Make - Shure, Sennheiser |
| 42 | Microphone Stand – Heavy-duty, adjustable-height microphone stand with tripod base or round base options, suitable for studio and stage use; features height adjustment clutch, extendable boom arm (where applicable), and standard 5/8\" mic thread mount. Recommended brands: K&M (König & Meyer), Hercules, QuikLok, Samson, and Maplin. Ensure compatibility with dynamic and condenser microphones for versatile application |
| 43 | Installation, Testing & Commissioning of Sound System – Involves installation of speakers, mixers, amplifiers, processors, microphones, and cabling as per design; proper mounting, wiring, and termination with safety and signal integrity checks; system calibration including level setting, equalization, and time alignment; verification of all input/output signal paths; integration with AV or control systems if required; conducting performance tests to ensure clarity and coverage; final tuning, user orientation, and handover of a fully functional audio system. |
| 44 | Image - brightness (lumens) - • 17,800 ISO /15,000 ANSI • 23,750 ISO /20,000 ANSI color wheel• 4 segment – 3X speedDisplay technology - type - 1 x 0.8\" HEP DMDresolution - WUXGA • 1920 x 1200 (2,304,000 pixels) (16:10)Illumination - type - High efficiency blue laser phosphor / performance, 20,000 hours to 50% brightness at full power mode, 50,000 hours to 50% brightness at ECO1 modeSignal Inputs - standard - HDMI 2.0b x 2 (HDCP 1.4/2.2) • 3G-SDI x 1 (BNC) -Display Port x 1(1.2a) • USB 2.0 x 1 (Type A) • HDBaseT - 1.0 (RJ45) x 1signals - Horizontal and vertical scaling while maintaining aspect ratio (all inputs)3D-Active shuttered - HDMI 1.4, HDBaseT – frame packing, top/bottom, side-by-side at 1080p at 60Hz frame sequential WUXGA(RB) up to 120 Hz. - 3D sync in (BNC) – for genlocking |
| 45 | projectors - 3D sync out (BNC) – for genlocking projectors, or controlling emitter or polarizerpixel clock - 600MHzscan rates - Horizontal: 15.375 kHz ~ 135.0 kHz ; Vertical: 23.98 Hz ~ 120 Hz -Signal Outputs monitor out (loop-through) - 3G-SDI x 1 (BNC) • HDMI x 1 (HDMI out)Control and networking -HDBaseT (RJ45 x 1) /RJ45 x 1 (Ethernet Control over wired network connection) / RS232 x 1 / Remote in: 3.5mm stereo female (provides serial communications and power) / DC JACK 12 VDC, 200 mA maxTAA-compliant - Yes |
| 46 | Lenses - mount type - Boresight adjustable - Motorized horizontal and vertical lens offset (memory available) / Motorized zoom and focus adjustment (memory available for full ILS lenses)lens options - 0.46:1 UST lens - • 1.8-2.4:1 zoom lens • 2.4-4.8:1 zoom lens • 4.8-8.64:1 zoom lens • 8.64-12.96 zoom lensAccessories - standard - IR remote with wired remote jack (wire not included) • AC line cord for projector • Product Safety Guide |
| 47 | Installation testing and comminssioning -Includes unloading, positioning, and secure rigging or ceiling/truss mounting of high-lumen projectors as per projection plan; connection of power supply, signal inputs (HDMI, SDI, DVI, DisplayPort, or HDBaseT), and control interfaces (LAN, RS232, or remote protocols); alignment of projectors with screen surfaces or projection areas using lens shift, zoom, and keystone adjustments; implementation of edge blending, warping, and soft/hard masking where multiple projectors are used; calibration for brightness, color uniformity, and geometry using test patterns or software tools; full testing for input responsiveness, synchronization with lighting/audio cues, and heat management; integration with media servers, automation or timecode systems; final run-throughs and commissioning for stable operation and visual consistency during the show. |
| 48 | The PAR 180 RGBW IP is a powerhouse in the realm of LED lighting. Boasting 54X3W RGBW LEDs, it offers a vibrant array of colors with precision. Constructed with robust die-cast aluminum housing and an efficient heat sink, it ensures durability and minimal power consumption. Its slim profile accommodates five lens angle options, providing flexibility for various lighting applications. Whether for professional setups or outdoor events, this PAR delivers reliability and versatility in every illumination.Voltage - AC115-230V, 50/60 Hz / Power120W / Lamp source 54X3W RGBW 6000K Life / Color temperature / time 80000h / Lens angle15/25/20/45/60 ° / Channel 4/8 CH / Control mode DMX512, master-slave, auto, sound control / IP Rating IP65 / Net Weight 5.5 KG / Gross Weight 12.6 KG (Cardboard packing 2in1) / Package 60 X 30 X 33 CM (Cardboard packing 2in1) |
| 49 | Moving Heads - Rainbow 300:- Model No. :-11001001 Lamp Type :- Philips MSD 250W / Osram HRI 251W ,Average Life :- 1500 hours ,Color Temperature :- 7800K / 7890K ,Reflector :- Lamp and reflector combined in one unit ,Lens :- High-precision optical lens ,Beam Angle :- 0°–4° ,Color Wheel :- 13 Color Filters + Open ,Effects :- Rainbow effect can be created ,Gobos :- 12 Fixed Gobos + 4 Glass Gobos + Open ,Effects :- Shake effect,Frost Effect :-Independent frost soft effect,Dimming :- Mechanical linear 0–100% dimming ,Strobe Effects :-Fast strobe, pulse / asynchronous / synchronous / random speed ,Prism Wheels :- 3 Total: • 1 x 8+8+8 Honeycomb Prism (Self-rotating) ,• 1 x 8 Circular Prism (Self-rotating) ,• 1 x 8+16 Facet Circular Prism ,Optional Prism :-6 Facet Linear Prism,Total Prism Effects :- 7 ,Pan Range :- 540°,Tilt Range :-270° ,Reset System :-Electro-optic auto-reset system ,Control Channels :- 16CH / 20CH ,Control Modes :-DMX512, RDM (Optional), Auto Run, Sound ,Addressing Option :-Type-C Socket (Powerbank compatible) ,Menu Display :-LCD with 16 million pixels, 180° rotatable,Fan Control :- Intelligent fan control ,Sensor Detection :- Electronic sensor detection ,DMX Monitoring :- DMX control monitor,Motor Drive :- X/Y Two-phase motor drive,LCD Features :- Parameter query available |
| 50 | Moving Heads - Rainbow 600 (Wall washer) ,Model No. :-11001021 ,Lamp Type ,OSRAM HRI 420W / Philips MSD 420W ,Average Life :- 2500 hours ,Color Temperature :- 7600K / 8000K .Reflector :- Lamp and reflector combined in one unit , Lens :- High precision optical lens ,Beam Angle :-2.8° ,Color Wheel :-14 Color Filters + Open,Effects :- Rainbow color effect ,Gobos:- 12 Fixed Gobos + 4 Glass Gobos + Open ,Effects :-Shake effect,Frost Effect :-Independent frost soft effect ,Dimming:- Mechanical linear 0–100% dimming ,Strobe Effects :-Fast strobe, pulse / asynchronous / synchronous / random speed ,Prism Wheels :-2 Total: :-• 1 x 8+8+8 Honeycomb Prism (Self-rotating) ,• 1 x 8 Facet Circular Prism (Self-rotating) ,Total Prism Effects:- 3,Pan Range :- 540° ,Tilt Range :- 270° ,Reset System :- Electro-optic auto-reset system,Control Channels :- 16CH / 20CH ,Control Modes :-DMX512, RDM (Optional), Auto Run, Sound ,Addressing Option :- Type-C Socket (Powerbank compatible),Menu Display :-LCD with 16 million pixels, 180° rotatable,Voltage :- AC100-240V 50/60Hz,Ballast :- Electronic ballast ,Power Consumption :- 600W,Clamp Type:-Inbuilt folding clamp ,Product Dimensions :-38 x 32 x 66 CM,Net Weight :-20KG,Flight Case Packaging (2 in 1):-78.5 x 46 x 89.5 CM ,Gross Weight :-60KG |
| 51 | DMX Spliter 8C :- Take control of your lighting rig with the DMX SPLITTER 8CH 2 IN1. Amplify your DMX signal to four independent outputs, providing greater fixture control and scalability for large-scale events and intricate lighting designs. With impeccable signal integrity and flexible configurations, this splitter is the perfect choice for demanding outdoor environments, touring artists, and rental companies seeking reliable performance and stability.Power input :- AC120V-240V 50Hz/60Hz ,Consumption :-20W ,Net Weight :- 2.4 KG,Gross Weight :- 14 KG ,Cardboard packing :- (5in1),Package :- 51X24X48 CM |
| 52 | Haze :-DFZ-2100 is a top of the range water-based haze machine designed for the professional market. It has strengthened its performance than its predecessor, comes built-in flight case and can be stacked one on another. DFZ-2100 haze machine features a unique heating system which enables to produce continuous even haze, free from clogging, reduce maintenance and extend product life. Operating at low noise levels makes it an ideal choice for noise-sensitive environments, including theaters, stages, studios and high-end bars.,Power :-1200W ,Voltage:- AC220V-240V/50-60Hz .Warm-up time :- Appr. 2 Min,Fuel consumption :-83 Min/L ,Tank capacity:- :-5 ltr. ,Max output volume:- 12000 cuft / Min,DMX Channel :-2,DISPLAY :-LCD-2,Net Weight :- 14 KG , Gross Weight ,16 KG ,P Dimensions :- 51×39×26.5 CM ,C Dimensions:- 59×47.5×33.5 CM |
| 53 | Cables:- 2.5 sq mm cable |
| 54 | Connectors -Includes supply and installation of professional-grade connectors for stage lighting such as XLR (3-pin/5-pin) for DMX signal, PowerCON and True1 for secure power connections, and EtherCON for network-based lighting protocols like Art-Net or sACN; all connectors to be heavy-duty, locking type, and suitable for touring or fixed installations, ensuring reliable signal transmission, power safety, and system durability; recommended brands include Neutrik, Amphenol, and Seetronic. |
| 55 | Poweboard -Custom-designed power distribution board for stage lighting, equipped with industrial-grade MCBs, RCBOs, power indicators, and socket outlets (16A/32A/63A as required); includes multiple protected outputs for connecting lighting fixtures and dimmers, with proper earthing, load balancing, and surge protection; housed in a rugged enclosure suitable for indoor/outdoor use; ensures safe and reliable power supply for all stage lighting equipment; recommended components from brands like Legrand, Schneider Electric, or L&T. |
| 56 | Installation - Involves mounting and rigging of lighting fixtures (LEDs, movers, PARs, etc.) on trusses or grids, routing and termination of power and DMX/control cables, addressing and patching of fixtures, integration with lighting console via DMX or Art-Net, testing for power, control signal, and fixture functionality; includes alignment, focusing, and basic programming as per show design; all work to comply with safety standards and rigging best practices. |
| 57 | lamp power:- 40W,Laser power :-Red:10000mw Green:15000mw Blue:16000mw ,Power consumption :-760W,Wavelength :-Red:638mw Green:525mwBlue:450mw,Laser source :- Diode(NICHIA) ,Colors :- RGB full color ,External Modulation :-100K Analog, TTL,DMX Channel :- 19CH/32CH,Scanner system :- 50kpps☑,Laser source :- Diode(NICHIA),Colors :-RGB full color, External Modulation :- 100K Analog☑ TTL☑,DMX Channel :-19CH/32CH,Scanner system :- 50kpps |
| 58 | Timecode reader for Laser Show – Device used to read and decode SMPTE/LTC timecode signals for precise synchronization of laser projections with audio, lighting, and video cues; ensures frame-accurate playback and seamless integration with laser control software; supports industry-standard timecode formats, offers stable input detection, and is compatible with show controllers and timeline-based systems. Recommended brands -Pangolin, LaserAnimation Sollinger, and Showtacle |
| 59 | License Key for Laser Show Software – Official software authorization key required to unlock full features of professional laser show control applications such as Pangolin QuickShow, BEYOND, or Showtacle Moncha.NET; enables access to advanced timeline programming, multi-laser control, DMX/Art-Net integration, 3D animation tools, and real-time synchronization with audio, video, and lighting systems; delivered as a hardware dongle or digital activation key. Essential for legal use and operation in professional multimedia and laser show productions. |
| 60 | InstallationIncludes mounting and alignment of laser projectors at designated locations, secure rigging with safety measures, routing and termination of power, signal, and control cables, integration with control systems (DMX/Art-Net/ILDA), installation of safety interlocks and emergency stop switches, basic lens and beam path alignment, and ensuring compliance with safety standards; system tested for alignment, coverage, and synchronization with multimedia content before handover. |
| 61 | Server :- Operating System -Windows 10 or Windows 11 (64-bit), macOS 10.15 (Catalina) or later,Processor- Recommended: Intel Core i7 or AMD Ryzen 7, Minimum: Intel Core i5 or AMD Ryzen 5 :- Recommended: Intel Core i7 or AMD Ryzen 7, Minimum: Intel Core i5 or AMD Ryzen 5,Recommended: 16 GB or more, Minimum: 8 GB.Graphics Card :- Recommended: NVIDIA GeForce RTX 4060 with 6 GB VRAM, Minimum: NVIDIA GeForce GTX 960 with 2 GB VRAM,Storage:- Recommended: SSD with 10 GB free, Minimum: 5 GB free space ,Video Inputs :-HDMI x 2 (HDCP 2.2 compliant), DisplayPort x 1 (version 1.2), DVI-D x 1 (digital only), USB x 1 (Type A),Video Outputs :- HDMI x 1, 3G-SDI x 1 (BNC),Optional Video Inputs :- HDBaseT (RJ45 x 1), Terra SDVoE, 3G-SDI x 1 IN (BNC), 3G-SDI x 1 OUT (BNC), WiFi Dongle,Audio Outputs :- Stereo output via 3.5mm jack or HDMI,Networking:- Ethernet (10/100/1000 Mbps), WiFi (optional) ,Resolution Support :- Max: 4096 x 2160 @ 60Hz, Min: 480i @ 60Hz,Frame Rate Support :- Horizontal: 15-91 kHz, Vertical: 24-120 Hz,Pixel Clock :- Max: 594 Mpix/s (supports high resolutions and refresh rates),3D and HFR Support :- 3D Formats: Frame packed, top/bottom, side-by-side (up to 120Hz), Optional Input: Up to 1920 x 1080 @ 120Hz,Control Interfaces :- RS-232, MIDI/OSC, Web Interface,Networking and Remote Control :- Ethernet (10/100/1000 Mbps), WiFi (optional) ,Warping and Blending :- Built-in warping and blending, compatible with external video processors and controllers,Standard Accessories :- Power cable, manuals,Optional Accessories :- External control interfaces, additional storage ,Operating Voltage :- 100-240 VAC @ 50/60Hz ,Power Consumption :- Max: ~250-500W (varies by configuration) Power Management :-Various power-saving modes available, Operating Temperature :- 50-95°F (10-35°C),Operating Humidity :- 10-80% non-condensing, Warranty :-1-3 years parts and labor (varies by manufacturer and region), extended support available :-24/7 support available from manufacturer or authorized dealers |
| 62 | Laptop :- Hard Disk Size 512 GB, CPU Model Intel Core i7,Processor: 13th Generation Intel Core i7 1255U Up To 4.7GHz ,Operating System: Pre-loaded Windows 11 | ,Laptop, Power Adapter and User Guide,Display: 38cm 16:10 FHD (1920x1080), 60Hz 45%NTSC IPS-Level,Memory & Storage: 8GBx2 DDR5 Onboard Dual Channel RAM | Storage: 512GB NVMe PCIe Gen3x4 SSD,Intel Iris Xe Graphics | 802.11 ax Wi-Fi 6 + Bluetooth v5.2 |
| 63 | DeskTop - High-performance desktop workstation comprising AMD Ryzen 9 7900 processor, compatible ATX motherboard with PCIe 5.0 support, 32GB DDR5 RAM (2x16GB, 6000MHz), 1TB NVMe Gen4 SSD (Samsung 980 Pro or equivalent), NVIDIA RTX 4060 Ti 8GB GPU, 750W 80+ Gold certified power supply, mid-tower cabinet with efficient airflow and acoustic insulation, 240mm liquid CPU cooler, 27” QHD IPS monitor with 99% sRGB coverage (Dell UltraSharp or equivalent), professional-grade audio interface (Focusrite Scarlett 2i2 or equivalent), and Windows 11 Pro OS. All components to be compatible for seamless performance in professional audio-video editing, mixing, 3D rendering, and multimedia production workflows. |
| 64 | Automation console - watchout :- Multi-display and multi-resolution support , · Timeline-based show creation,· Real-time show control via TCP/IP,· Live video input (NDI®, SDI, HDMI, capture cards),· Audio playback and synchronization,· External control via MIDI, Art-Net, DMX, and other protocols,· Support for image sequences (e.g., PNG, TIFF), videos (H.264, HAP, ProRes, etc.),· Automation and scripting support,· Support for 4K/8K+ playback (hardware dependent),· Geometry correction and soft-edge blending,· Output synchronization across multiple display servers |
| 65 | External Hard disks :- Brand - LaCie / Manufacturer - Lacie, Seagate, Series - D2 Professional / Form Factor - 3.5-inch / Item model number - STHA8000800 / Hard Drive Size - 8 TB / Hard Disk Description - Mechanical Hard Disk / Hard Drive Interface -USB 3.0 / Hard Disk Rotational Speed - 7200 RPM/ Hardware Platform - PC, Mac / Operating Systemmac os / Included Components - LaCie® d2 Professional; USB-C (USB 3.1 10 Gb/s) cable; External power supply; Quick Installation Guide; Rescue Data Recovery Services4 / Manufacturer - Lacie |
| 66 | Weatherproof canopies for projectors and speakers -Supply, fabrication, and installation of custom-designed weatherproof canopies for outdoor projectors and speakers, constructed using powder-coated mild steel, stainless steel, or aluminum with UV-resistant polycarbonate or acrylic panels (for projector visibility), designed to protect equipment from rain, sunlight, dust, and wind. Each canopy shall include a sloped roof for water drainage, IP55 or higher ingress protection rating, proper ventilation to prevent overheating, lockable access panels for maintenance, vibration-dampening mounts (for speaker housings), and suitable mounting provisions (wall, ceiling, or pole). All materials must be anti-corrosive and suitable for long-term outdoor use. Installation shall follow manufacturer guidelines and site conditions. Approved Makes / Equivalent: Tempest, Chief (Legrand), Peerless-AV, SunBriteTV, Vanco, Middle Atlantic, or equivalent. |
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